I started looking into the story of LRRH, it was quite interesting… There are many variations of the story dating back to the 10th century.
The origins of the Little Red Riding Hood story can be traced to versions from various European countries and more than likely preceding the 17th century, of which several exist, some significantly different from the currently known, Grimms-inspired version. It was told by French peasants in the 10th century. In Italy, the Little Red Riding Hood was told by peasants in 14th century, where a number of versions exist, including La finta nonna (The False Grandmother). It has also been called “The Story of Grandmother”. It is also possible that this early tale has roots in very similar Oriental tales (e.g. “Grandaunt Tiger”).
These early variations of the tale differ from the currently known version in several ways. The antagonist is not always a wolf, but sometimes an ogre or a ‘bzou’ (werewolf), making these tales relevant to the werewolf-trials (similar to witch trials) of the time (e.g. the trial of Peter Stumpp).The wolf usually leaves the grandmother’s blood and meat for the girl to eat, who then unwittingly cannibalizes her own grandmother. Furthermore, the wolf was also known to ask her to remove her clothing and toss it into the fire.In some versions, the wolf eats the girl after she gets into bed with him, and the story ends there. In others, she sees through his disguise and tries to escape, complaining to her “grandmother” that she needs to defecate and would not wish to do so in the bed. The wolf reluctantly lets her go, tied to a piece of string so she does not get away. However, the girl slips the string over something else and runs off.
In these stories she escapes with no help from any male or older female figure, instead using her own cunning. Sometimes, though more rarely, the red hood is even non-existent.
are the 2 main versions of the story
Folklorists and cultural anthropologists such as P. Saintyves and Edward Burnett Tylor saw “Little Red Riding Hood” in terms of solar myths and other naturally-occurring cycles. Her red hood could represent the bright sun which is ultimately swallowed by the terrible night (the wolf), and the variations in which she is cut out of the wolf’s belly represent by it the dawn.In this interpretation, there is a connection between the wolf of this tale and Sköll, the wolf in Norse myth that will swallow the personified Sun at Ragnarök, or Fenrir.Alternatively, the tale could be about the season of spring, or the month of May, escaping the winter.
The tale has been interpreted as a puberty ritual, stemming from a prehistorical origin (sometimes an origin stemming from a previous matriarchal era).The girl, leaving home, enters a liminal state and by going through the acts of the tale, is transformed into an adult woman by the act of coming out of the wolf’s belly.
Bruno Bettelheim, in The Uses of Enchantment, recast the Little Red Riding Hood motif in terms of classic Freudian analysis, that shows how fairy tales educate, support, and liberate the emotions of children. The motif of the huntsman cutting open the wolf, he interpreted as a “rebirth”; the girl who foolishly listened to the wolf has been reborn as a new person.
Red Riding Hood has also been seen as a parable of sexual maturity. In this interpretation, the red cloak symbolizes the blood of menstruation, braving the “dark forest” of womanhood. Or the cloak could symbolize the hymen (earlier versions of the tale generally do not state that the cloak is red). In this case, the wolf threatens the girl’s virginity. The anthropomorphic wolf symbolizes a man, who could be a lover, seducer or sexual predator. This differs from the ritual explanation in that the entry into adulthood is biologically, not socially, determined.
The poem Þrymskviða from the Poetic Edda mirrors some elements of Red Riding Hood. Loki’s explanations for “Freyja’s” (actually Thor disguised as Freya) strange behavior mirror the wolf’s explanations for his strange appearance.
The red hood has often been given great importance in many interpretations, with a significance from the dawn to blood.
I found many links to deeper meanings behind the story and used these ideas and meanigns to guide my story. I knew that these would all be needed, it was more about how i showed these issues of sex, woman hood, disobeying parents etc in a modern social way.
I started looking at images for LRRH to get an idea
After a little research into images i new the style i was after
I looked into some of my favorit ‘dark’ artists such as Dave McKean famous of his works with neil gaiman. I really love the dark, creepyness of the images and the atmosphere of the books.